Jenny McCarthy on Co-Hosting Dick Clark's New Year's Rockin' Eve: "All Bets Are Off"

Jenny McCarthy, New Year's Rockin Eve Jenny McCarthy says "all bets are off" when she co-hosts Dick Clark's New Year's Rockin Eve with Ryan Seacrest this time. "[I'm] literally winging it," McCarthy tells TVGuide.com. "What I learned from last year was that I don't need to prepare as much as I thought I did. The cameras go on, they yell at you in your [ear piece] and all bets are off ... if I'm having fun everyone else is having fun." See the best of 2011 in television and movies McCarthy, 39, will return to NY City's Times Square, but this year's countdown show will be extra sentimental with a two-hour prime-time special marking the program's 40th anniversary. "That's a bit of nostalgia viewers will get to experience," she says. And there's of course the heart-tugging aspect of the 82-year-old Clark, who started the show, himself continuing to anchor the countdown show in the wake of his stroke several years ago. Check out photos of Jenny McCarthy Among this year's lineup of performers are Lady Gaga, Justin Bieber, Pitbull and Hot Chella Rae. McCarthy says she's most excited to see what Gaga is going to wear. And Bieber? "I'm sure all those kids that can't go out on New Year's Eve will have so much fun watching him perform," she says after a pause. New Year's Rockin' Eve: The 40th Anniversary Party airs Saturday at 8/7c on ABC; Dick Clark's New Year's Rockin' Eve with Ryan Seacrest then airs 11:30/10:30c. In between there's Dick Clark's Primetime New Year's Rockin' Eve with Ryan Seacrest at 10/9c.

Buzz from the biz

The International 3D Society will present Sony Corp. of America with its 2012 Sir Charles Wheatstone Award for advocacy, technology and professional education at the Society's 3rd Annual 3D Creative Arts Awards ceremony to be held at the Beverly Hills Hotel on February 1, 2012. The awards annually bestow the Lumiere statuette to 3D movies, TV programs, videogames, and advertising, as selected by the society's voting membership. "At the core of the Society's charter is the education and support of filmmakers embarking on 3D projects and to refine the skills of 3D veterans," said I3DS chair Jim Mainard. "With that in mind, Sony conceived of, and implemented, a tremendously compelling hands-on 3D program, the effects of which will be realized in films for years to come." * * * Catherine Winder, prexy and exec producer of Vancouver animation studio Rainmaker, hired management and production firm Circle of Confusion to support the company's expansion of its current slate of animated feature films by indentifying brand-building opportunities for Rainmaker's library of animated characters and properties. Circle of Confusion's David Alpert and Ken Freimann will work with Winder on identifying properties and talent for various platforms, including online, mobile and social media. Currently, Rainmaker is in production on "Escape from Planet Earth," an animated feature film that will be distributed by The Weinstein Company in 2012; it stars the voice talents of Brendan Fraser, Jessica Alba, Sarah Jessica Parker and James Gandolfini. * * * A group of actors have come together to open a new 7,000-square-foot production space in the artist district of downtown Los Angeles. Called Six01, the space consists of a bow truss ceiling warehouse and is available for productions and events. The actors involved in the project include Anthony Ruivivar, Yvonne Jung, Maura Tierney, Louise Fancy-Mirren, Jane McKidd, Sean Wing and Nathan Levine-Heaney. Contact Peter Caranicas at peter.caranicas@variety.com

Academy awards: 15 Movies On VFX Candidate

Beverly Hillsides, CA The Academy of movement Picture Arts and Sciences today introduced that 15 films happen to be selected for consideration for fulfillment in Visual Effects for that 84th Oscars. The flicks are highlighted below from a to z: “Captain America: The Very First Avenger” “Cowboys & Aliens” “Harry Potter and also the Deathly Hallows Part 2″ “Hugo” “Mission: Impossible Ghost Protocol” “Pirates from the Caribbean: On Stranger Tides” “Real Steel” “Rise from the Planet from the Apes” “Sherlock Holmes: A Game Title of Shadows” “Sucker Punch” “Super 8″ “Thor” “Transformers: Dark from the Moon” “The Tree of Existence” “X-Males: Top Class” At the begining of The month of january, the people from the Academy’s Visual Effects Branch Executive Committee, who selected the 15 films, will narrow their email list to 10. All people from the Visual Effects Branch is going to be asked to see 10-minute excerpts from each one of the 10 shortlisted films on Thursday, The month of january 19. Following a tests, the people will election to appoint five films for final Oscar consideration.

Kino Lorber Acquires 'Putin's Kiss' Documentary

Replacing Elizabeth Shue with Jonah Hill can't be anyone's idea of an upgrade, but the former's spunky Adventures in Babysitting innocence would be a couple of notches too nice for The Sitter, David Gordon Green's attempt to infuse the 1987 film's setup with the grit and strangeness of other up-all-nighters by Scorsese and Demme. The fusion works far better than Green's sword-and-sandal-and-stoners dud Your Highness, but is unlikely to connect with audiences like his previous '80s riff Pineapple Express.our editor recommendsSeducing Charlie Barker: Film ReviewSherlock Holmes: A Game of Shadows: Film Review Hill plays loser Noah Griffith, who facilitates a rare night out for his divorced mom by babysitting her friend's three children -- any one of whom would be more than he can handle. A coddled neurotic, a wannabe celebutante, and a Salvadoran foster kid who loves blowing things up, the three adolescent nightmares hint at how broadly screenwriters Brian Gatewood and Alessandro Tanaka will draw characters throughout the film, particularly when it comes to African-Americans. Hill's character may be less thin than the rest, but little effort is put into convincing us he'd make the series of dumb decisions The Sitter requires in order to keep him running through Manhattan and Brooklyn in the wee hours. A transparently dishonest phone call from Marisa (Ari Graynor) is all it takes to make Noah pack the kids into a stolen minivan and go in search of the cocaine he thinks will convince Marisa to have sex with him. (Where, we wonder, are the siblings supposed to wait during this couple's tender moment?) Before the night's out, he'll be responsible for two stolen cars, a pocketful of diamonds, a few demolished bathrooms and enough wasted coke to turn a pool table snow white. In the midst of the familiar hijinks and confrontations that get between Noah and satisfaction, one is weird enough to remember: Sam Rockwell's "Karl with a K," a gregarious gangster who packs his drugs in dinosaur eggs and hires effeminate bodybuilders as enforcers, isn't really new territory for the actor, but Rockwell gets more than his share of the film's laughs hamming through it. Hill shows less snark and agitation than usual here, and the restraint serves him well during the one sequence -- Noah counseling a kid who doesn't yet know he's gay -- in which the movie actually cares more about believability than retro affectations. All things considered, though, the kids would be a lot better off with Elizabeth Shue. Opens: Friday, Dec. 9 (Twentieth Century Fox) Production Companies: Michael De Luca Productions, Twentieth Century Fox Cast: Jonah Hill, Max Records, Ari Graynor, J.B. Smoove, Sam Rockwell, Landry Bender, Kevin Hernandez, Kylie Bunbury, Erin Daniels, D.W. Moffett Director: David Gordon Green Screenwriters: Brian Gatewood, Alessandro Tanaka Producer: Michael De Luca Executive producers: Josh Bratman, Jonah Hill, Donald J. Lee Jr., Lisa Muskat Director of photography: Tim Orr Production designer: Richard A. Wright Music: Jeff McIlwain, David Wingo Costume designer: Leah Katznelson Editor: Craig Alpert Rated R, 81 minutes Ari Graynor Jonah Hill Sam Rockwell David Gordon Green The Sitter

Glee Visits Sectionals: Ranking the Tales and Tunes of "Keep 16"

Glee Credit where credit arrives: For just about any competition episode, it had been a significant darn good hour of Glee, almost obliterating last year's NY Excellent out of your minds. Fogged headlights went reduced Tuesday's large Sectionals showdown, "Keep 16": Mike returned to McKinley to help New Directions beat the Troubletones and acquire Mercedes back (along with his stripper-honed body comes). Tina made a decision arrived to acquire Mike's father aboard along with his son's future inside the arts. Sebastian told Kurt to organize as they wants themselves some Blaine. Finn confessed he was jealous of Blaine and apologized for throwing a great deal 'tude his way. Mike, Shelby and Rachel forced Quinn from her funk. The Completely New Directions triumphed at Sectionals, as well as the Troubletones made the decision to re-join the crowd. So, let's rate the tales and tunes: Sam's ab-tastic comeback. Departing the washboard out, it absolutely was nice to find out him back, nice to find out him have a very grown-up conversation along with his parents about being hit by hard occasions, and not so nice to hear him sing "Red-colored-colored Solo Cup" (see below). Fortunately, because we didn't notice last season, there also appears being some real chemistry between Mike and Mercedes. By our estimate, he's already drenched the same screentime along with her as Shane. (Where was super encouraging boyfriend Shane throughout Sectionals anyway? Did he have a game title title?) Really the only component that may have assigned it well will be a Sean Connery impression. Grade: B "Red-colored-colored Solo Cup" A novelty song about consuming beer making even Toby Keith pause. Really, Glee? It is not a great performance! It's especially disappointing this really is Sam's large comeback song after he proven his excellent aptitude for R&B and pop tunes like "Billionaire" and "Baby" all last season. (Does nobody miss the Attacking Youthful Boys Experience?) When Mike later quotes John Mellancamp's "Jack and Diane" to Quinn, we should question why that wasn't his large solo. Grade: F- Sebastian is... still here. Shut up, Sebastian! Sorry, knee-jerk reaction. Why don't you-sexy Warbler guy still around? Must he talk in forced, gross come-ons? Can't Kurt and Blaine drink coffee elsewhere? Can't Kurt tell Blaine: "This individual is actually annoying, will we Not pals with him? All he's doing is flirt very poorly! Kthxbai!" Grade: ) Finn and Blaine call a truce. It takes a sizable guy to forgive Blaine to become so darn peppy it's cloying. Nobody could blame Finn to become annoyed. He's juggling an uncertain publish-grad future and possibly-probably losing Rachel, who can't go one episode without needing to say NYADA. The show could give Blaine an problem or two, but we like to seeing Finn rally. It's what he's doing best. (No less than we have reached determine Blaine possess a punch from someone. Thanks, Mike!) Grade: B Mike's father gives Tina possible check (they doesn't take). The positive thing of Tina's visit with Mike's father? His trying to provide her possible check: Work inside the arts is tough. Failure is routine. Ultimately, Glee is about several kids in Ohio pursuing their dreams, however, if they get people awaken calls, it's heartbreaking stuff. No hard feelings that Tina and Mike will probably choose this anyway - and ultimately with support from Mr. Chang. Because sometimes, you need to choose this. Grade: A- "Buenos Aires" Does it strike others as odd this whole glee club is okay with letting just one artist hog the spotlight a great deal? This performance is virtually a solo by getting an additional-many perfectly-choreographed back-up ballroom ballroom dancers, but it's type of logical for those who have someone like Harmony (also called Rachel and Kurt's NYADA rival and real-existence Glee Project finalist Lindsay Pearce), take advantage of her for individuals she's worth - especially around the large Broadway number. Grade: B "I'll Survive/ Survivor" This must be one of the better mash-ups of the year (and - dare I believe that - Glee history) if this involves both song match-up and other styles. Santana's and Mercedes kill it again. Really the only component that throws? The arm-flying choreography. No less than there's a too-sweet shot of Santana and Brittany tangoing. Grade: B+ "ABC" Tina, one of the only remaining women in New Directions, can get her due here, which is welcome because we remember her undertake "Dog Days Have Left,In . plus it was awesome but wasted in last season's overcrowded Sectionals (which used "I've had duration of My Existence," "Valerie" as well as the Warbler's "Hey Soul Sister" competing rather.) "ABC" is upbeat enough, as well as, since Mike is becoming the most popular entertainers, we're happy relating to this. Nevertheless it all felt a wee bit risk-free, regardless of the boys busting out people body comes Mike introduced with him from Kentucky. (Kurt originates up to now from his awkward dancing throughout "Animal" last season.) Grade: B "Control" OK, frightening, sadistic Quinn, let's calm it lower while using crazy eyes. Are you currently presently trying to intimidate the idol idol judges into voting for completely new Directions? Because that is not the way it works. Though Artie finally can get his time to shine, the song is just Appropriate for that audience. The energy is strange also it doesn't appear like "Control" is particularly well-suitable for anyone's voice or dance moves. Surely they may have considered Jesse Jackson's other tunes? Grade: C "Guy inside the Mirror" Dear Glee bosses, take note of techniques carefully Puck's voice and dance moves resemble Michael Jackson's for your tribute episode later this season. Ditto Artie, who we understood would kill it. Beyond Pucky Puck's (we've good "Good Shake" recollections) capacity to moonwalk like its 1988, this song is the most effective in the three for completely new Directions. Undeniably effective, wonderful harmonies, and great showcase for your boys. Grade: A- New Directions wins Sectionals. They deserved it for "Guy inside the Mirror" alone. Our only want spring semester? To look for the job that switches into Regionals. By doing this Mr. Schuester may have something to accomplish (and not plan set-lists for major competitions within the last second. Or volunteer to use city council campaigns. Or let somebody that's not him direct the school musicals. It already seems like he might not necessarily be teaching The the spanish language language next season.) Grade: A Quinn's psychotic break finishes. As soon as the switch was switched, and Quinn returned to like a person, we recognized simply how much we actually love Diana Agron. And Quinn. All the authors needed to complete was treat her as being a teen and not a psycho. Quinn had wants getting away . of Ohio, too. She'd self-esteem issues. There has been various ways on her behalf to feel below componen about herself, to miss her daughter, being lost... but we digress. All is pardoned for the moment. Grade: B+ Shelby, out? Hope not, because of there being still more associated with her and Rachel once the show wanted. But we're unsure how she'll continue at McKinley (even though sleeping with Puck, we maintain, wasn't as absurd as Terri's fake pregnancy or Quinn's plan to steal her daughter back). Still, the Troubletones have re-grew to become part of New Directions, so this is often her curtain call. Grade: C "We are Youthful." Does Rachel sing a good deal relating to this show? Yes, but her pipes continued to be as greatly missed throughout Sectionals. Fortunately, she ended up being to lead this episode-ending tune, which was pretty perfect, had something for everyone and, frankly, reminded us of Season 1 group amounts which will give to us tingles, like "Somebody to likeInch and "Keep Waiting On Hold.Inch Grade: A What were your chosen amounts? Is crazy Quinn really gone? Do you want Shelby to come back? Do they really ever find something for Mr. Schuester to accomplish? Reveal know very well what you thought inside the comments below.

Attacking Youthful Boys Takes note of Christmas at Wally Walt Disney World

Attacking Youthful Boys Even Crazy isn't protected from Justin Bieber's swagger. In the last weekend, the singing celebrity grew to become part of Christina Aguilera, Jennifer Hudson, Cee Lo Eco-friendly and Scotty McCreery to tape performances for your approaching Disney Parks Christmas Day Parade to air on ABC. (Check local records.) Bieber sang a medley of tunes (have a look at people moves below!) within the Cinderella Castle stage before showing up with Crazy in the Santa outfit. "Once i busked inside the streets wanting to generate money to maybe showed up at Wally Walt Disney World ... now I completed here. NEVER SAY NEVER. DREAM Large!" Bieber tweeted. What can you consider Bieber at Wally Walt Disney World?

Rita Hayworth's Grandson Found Dead of Apparent Suicide

Lionsgate The Cabin in the Woods, the long-delayed horror film produced and co-written by Joss Whedon, finally got a trailer on Monday.our editor recommendsJoss Whedon's Long-Delayed 'The Cabin in the Woods' Gets a New PosterLionsgate Acquires Joss Whedon-Produced 'The Cabin in the Woods,' Starring Chris Hemsworth The Lionsgate film, starring Chris Hemsworth before he became famous as Thor, is about a group of friends who go on a retreat to a cabin in the woods, and some very bad things begin to happen. PHOTOS: Hollywood's A-List Redefined While the trailer shows a lot, it doesn't explain exactly what is coming after the attractive young people. It's clear that there is someone controlling the cabin, making bad things happen. As one person says in the trailer, "Somebody sent those things here to get us." It's not clear what "those things" are exactly, but some of the creepy looking visuals in the trailer include: scary white masks, a strange forcefield, a dark creature rising out of a lake and an eerie looking cloud of dust. STORY: Joss Whedon's Long-Delayed 'The Cabin in the Woods' Gets a New Poster "You're missing the point. They want to see us punished," says one character in the trailer. Richard Jenkins, Bradley Whitford, Kristen Connolly, Brian J. White, Amy Acker, Fran Kranz and Jesse Williams also star in the long-delayed film. While the horror film from Whedon and Cloverfield scribe Drew Goddard was originally set to release in 2009, it will finally make it to theaters April 13, 2012. PHOTO GALLERY: View Gallery Hollywood's A-List Redefined Chris Hemsworth Joss Whedon Lionsgate Cabin in the Woods

Amazing Race's Andy and Tommy: We Trusted Our Taxi Driver Too Much

The Amazing Race, Andy and Tommy After dominating The Amazing Race this season - winning six legs - Andy Finch and Tommy Czeschin seemed like locks for the final. But taxi luck reared its head again: As they squandered their huge lead, the cab drivers of the other three teams chatted and drove them all to the Pit Stop, ensuring that the former Olympic snowboarders will get the boot - with the dubious honor of having the highest average placement at elimination in all 19 seasons, natch. "It was definitely ironic that our lead ended up hurting us," Tommy tells TVGuide.com. "But it's true reality. Those guys were just in the right place at the right time with the right taxi drivers, and we weren't." See what else they have to say about their surprising elimination, if they got their Mustangs yet, and which team they want to race against.Amazing Race's Bill and Cathi: We were too cautious on the roadYou obviously were unaware of the group taxi driver group discussion. What was your reaction when you saw it last night?Tommy: It was crazy watching the show last night. We weren't the only ones to not figure it out off the bat. It made us feel a little better about not getting the clue the first time. Our driver was just not in the loop.Some fans think it's not fair that two teams made the final on luck, but taxi luck has always been part of the race. Andy: Yeah, taxi luck is a huge part of the race! Going into it, we knew that some taxis were better than others and that could be the end of you. In this case, it was. We told our guy to go to Balboa, and we passed through Balboa and he took us to the Panama Canal. I don't know why! [Laughs] I guess he thought we were tourists. We couldn't really communicate with him. We were just like, "I guess we got to see the Panama Canal. That's cool." I think what's really neat about this show is it shows how people deal with life. Life isn't always fair. We all know people who've had cancer and it's not fair when people get cancer. It's silly to compare that, but it's life and you've got to deal with it. ... Those teams got some extra information and took it. Good for them. We would've done the same thing if we were in the group of taxis and we didn't know where we were going. Some people might think they cheated, but they didn't do anything wrong. They followed the rules. There's nothing in the clue about the taxis talking.Why didn't you ask your cabbie to go back to the square when you saw that you were passing Balboa?Tommy: We trusted our taxi driver a little too much. He was super confident that he was going to take us where we wanted to go. But that guy had no idea. [Laughs] There was a lot lost in translation. There were times where we had taxi drivers and we didn't trust them enough. You just don't know.Amazing Race's Laurence and Zac: The U-Turn and getting lost "pushed us over the edge"How much time did you lose in total doing that?Tommy: We probably lost a good 40-45 minutes. Even at that point, I think we were within the pack, but then we made a couple more wrong directions. From there, we went to the statue of Balboa. It was like we were on a sightseeing tour. We went back to the square and then we followed the wet paint footprint to another square area, and it was just a sign that said there would be construction in the area.Did you think you were last or were you hoping other teams made the same mistake?Andy: We didn't think we were last. We knew how hard that clue was, so you just never know. There were two teams who didn't know the clue, so they could've done the same thing we did and gone on a wild goose chase. They could've driven around more than we did.How disappointing was it to get eliminated after dominating the race? Even Phil said he expected you to be in the final.Andy: There were so many things that could've taken us out earlier in the race. We were lucky we didn't get U-Turned. We just really felt like we were blessed to have gone that far. We got to go to all the places the finalists went basically. We have all the stamps in our passports. I think that's the biggest prize on this show - getting to travel the world and seeing the different places.One of the best moments was when you ran down Ernie and Cindy for first place. Tommy: Yeah! We went all out. We knew Ernie and Cindy were about five minutes ahead of us. We paced ourselves just enough to catch up with them and when we saw them, we really turned it on. That was a serious run right there, but it was worth every step.Andy: That was hard! We like Ernie and Cindy, and we have no problem sharing the wealth of winning the prizes and stuff, but you can't just give it to anybody. You've got to give it everything you have. When we saw them, there was no way we thought we could catch them. Poor Cindy, man! I don't know if they showed all the bruises she had. She had a really bad wreck with the bike taxis. She'd been through it. We felt bad running them down, but we knew we couldn't give it to them. If they beat us, great! Then they would've beaten us at us trying our best. Amazing Race's Justin and Jennifer: It was a "huge mistake" not biking backYou guys got a lot of sweet prizes. Did you get your Mustangs yet?Andy: [Laughs] We're working on that! ... I'm going black on black. How about you, Tommy?Tommy: Yeah, I mean, you've got to get a black Mustang. ... It's been super fun watching it [with our wives] and having it be a surprise. One of the times was when we were running with the beds in Africa. My wife was saying, when Justin and Jennifer checked in first, "Man, couldn't you have picked up the pace and beat them?" I was just holding it in and waiting for the classic "however" from Phil. All the trips, the cash, the Mustangs - we really felt like we ran a great race. It's awesome. I think a lot of people would agree you guys are shoo-ins for All-Stars or another Unfinished Business. Would you come back?Andy: I definitely would!Tommy: Heck yeah! Absolutely! I've been looking at some of the chats and stuff, and people sound like they want the cowboys and us. That would be so fun. I would love to do that!Andy: How about you race with your wife and I race with my wife, and we'll compete against each other?Tommy: I'm down with whatever!You're both not competing anymore, so what are you up to now?Tommy: I'm coaching with U.S. Snowboarding, so I'm out in Colorado for early season stuff. The Grand Prix is this weekend. Dew Tour is the following weekend. And just trying to stay warm out here in Colorado.Andy: I had two major shoulder surgeries six weeks ago and eight weeks ago, so I'm just healing up. I'm taking time to get the body strong again so I can do some more filming. I'm doing some commentating and some traveling.

Warners Prepares To Have An Unholy Evening

By purchasing Seth Grahame-Smith's new bookNot quite happy with mixing Jane Austen's type of brooding romance with brain-chomping zomboids or re-picturing US leader Abraham Lincoln subsequently like a staunch warrior from the vampire menace, Seth Grahame-Cruz reaches it again, this time around using the birth of Jesus and, more particularly the 3 Nobleman, inside a new direction for Holy Evening, which Warners just clicked up.It, that is set hitting shelves in April, takes the storyline from the three smart males and re-imagines them as thieves on the move who finish up helping Mary and Jesus to leave Egypt. On the way, they meet people for example Pontius Pilate and John The Baptist and, since the guy can clearly not avoid the monster tales, fight "magical Scriptural animals." Yeah, we can not forsee anybody getting an issue with using Jesus and family for the reason that way. You are able to already hear the protests in your head, can't you? Warners put lower $two million to nab the privileges, including Grahame-Cruz writing the script and creating through the KatzSmith production company he lately created with David Katzenberg.Cruz can also be behind the script for next year's Abraham Lincoln subsequently: Vampire Hunter (due in August) and Tim Burton's latest The Actor-brad Pitt joint, Dark Shadows (that certain comes to May). He's been busy creating Television shows and purchasing in the privileges to some couple of books he did not write, including youthful adult novel The Scorpio Races.

Viola Davis to Be Honored as Outstanding Performer of the Year at Santa Barbara Film Festival

The Help's Viola Davis will be hailed as Outstanding Performer of the Year at the Santa Barbara Film Festival at a tribute to be held Jan. 27.our editor recommends'The Help's' Viola Davis, Octavia Spencer to Present at THR's Women in Entertainment BreakfastViola Davis Adopts a Baby Girl Davis plays Aibileen Clark, an African-American maid in the drama, written and directed by Tate Taylor, set in Jackson, Mississippi during the 1960s. "It's hard to imagine another performance this year that pierces your heart the way Viola does as Aibileen," SBIFF executive director Roger Durling said. Davis, who will also be seen in the upcoming Extremely Loud and Incredibly Close, is already an Oscar nominee for her supporting performance in 2008's Doubt. The festival itself runs from Jan. 26 to Feb. 5. Santa Barbara International Film Festival Viola Davis The Help